Catherine Geoffray was born in 1960 in Téhéran. She lives and works in Paris.
Graduated from L'Ecole Nationale des Beaux Arts de Paris, her work has been exposed in France and abroad, several times at ArtParis and Art Brussels, and is part of many private and public collections.
Christophe Gin was born in 1965. Il lives and works between France and Amazonia.
Since the middle of the 1960s, the painter, graphic artist and photographer Michel Guéranger has been adding to a rich and diverse body of work that has been exhibited in numerous galleries across Europe, the United States and South America. His work is represented in major public and private collections. Constantly questioning spatial notions, Michel Guéranger first explored the dynamic play of the laws of space and our perception of it, in particular as part of ‘Space’, a group that is listed in the Encyclopedia Universalis.
A few years later tackling the question of speed, he integrated temporal notions into his work and collaborated with the automobile industry and Aérospatiale. The ephemeral nature of natural supports was another subject of interest, for example when, in extreme climatic conditions, he coloured the snows of Mont Blanc in his monumental piece Sur les neiges du Mont-Blanc.
His experiments have led him to delve deeper into this partial approach to the universe, underlining correspondences between the different cosmic scales, from the infinitely big with Altitudes fractales and Peintures d’altitudes, to the infinitely small using macro photography for Métamorphoses de l’eau.
Michel Guéranger is a consummate dreamer. He dreams of clearly defined matter, space without vertigo, colours, shapes, deep shadows, relief and silence. When you dream as he does, across the breadth of the canvas, you realise that a zero contains infinity, that an atom is larger than the entire universe and that a second can last an eternity.
Michel Guéranger is free. He has escaped from constraints to tirelessly create new continents at the heart of matter. As a microcosmic magician, he plays the details game, seizing a speck of dust, attaching a drop of water, grabbing hold of a light wave and deforming a shape until it is as large as the universe itself.
Milène Guermont, born in 1981 in Normandy, has diplomas in both engineering and art. She associates hi-technology with the power of poetic imagination.
Milene's work as an artist has led her to create a new generation of concrete, that bring elegance, technical innovation and a human touch to the familiar grey divider of urban space. Her Polysensual Concrete reacts to each individual's unique magnetic field by emitting dashes of bright light and soft echoes from the voices of nature, from falling rain to the electric whispers of passing clouds. This video will tell you more.
Her work has been exposed at Art Basel Miami, Art Paris, New Art Center New York, Salt Lake Art Center, National Archives of France, Cartier Foundation with the architect Claude Parent, Nuit Blanche Paris, Musée de la Chasse et de la Nature, ...
Additionally, Milene creates both publicly and privately commissioned works. In June 2014, her sculpture INSTANTS was installed in front of the sea in Utah Beach to celebrate the 70th anniversary of the landings in the breach n°00 "Atlantic Wall", Utah Beach during World War II. Futhermore, in honor of this event, her FREE-PLANETs are ordered to be gifts to top figures throughout the world.
In 2015, she is the "coup de cœur" of DDESSIN (Paris Contemporary Drawing Fair), has a a solo video show in the permanent collections of the Fine Arts Museum of Caen, and is selected by the international jury of "2015: international year of light" launched by UNESCO, MINI AGUA is shown at Villa Datris - Foundation for sculpture and INSTANTS is on Utah Beach.
In 2016, she is exhibited at the parisian Mineralogy Museum (solo show), at the fair ART PARIS by the Ermitage Foundation, at Passager Museum, she creates the artwork A BEAT on the Eiffel Tower, the Montparnasse Tower and PHARES, and one of her sculptures is installed permanently on a parisian classified site.
Her last monumental sculpture PHARES (5 km of aluminium, light and lime) on Place de la Concorde, has 3 labels (COP 21, PARIS POUR LE CLIMAT, UNESCO) thanks to hundreds of people to make it in just 3 months.
